Press
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“If you’re going to have a lot of music in a film, it’s got to really work, it can’t just be wallpaper, you know? It’s got to be a character in there.” This interview is a continuation of part one from November 26, 2013. Film music was always a sort of gateway to daydreaming and
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Here is an interview that answers the question: “why did you leave the music industry?” A few years back, when I started my blog, I was introduced to Alex McKenzie through my work with Doe Paoro. All I knew at the time was that he was a recording engineer at Converse’s Rubber Tracks Studio in
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“I gotta leave here in a little while to go do a soundcheck. But I’m just so close, I’m staying at the W in Boston and I just…I walk right across the street. Literally. Right across the street. I’ve never been at a hotel where I could walk right to the gig. It’s so amazing.”
Farah Joan 